Art

Had She Paints or Clay...**

Top left: Sometimes the King is A Woman by Amy Sherald at the Hauser & Wirth Gallery until October 26, 2019Top right: Photo of Frida Kahlo by Nickolas Murray at the Brooklyn MuseumBottom left: Brick House by Simone Leigh on the High Line 30th St…

Top left: Sometimes the King is A Woman by Amy Sherald at the Hauser & Wirth Gallery until October 26, 2019

Top right: Photo of Frida Kahlo by Nickolas Murray at the Brooklyn Museum

Bottom left: Brick House by Simone Leigh on the High Line 30th Street & 10th Ave in Manhattan

Bottom right: Adorn Me by Tanda Francis in Fort Green Park, Brooklyn

Me… all over NYC over the last few months… showing love, support and respect to a few INCREDIBLE women of color artists. I still have to make it to the Met to see Wangechi Mutu’s The NewOnes, will free Us before January 12, 2020. Are there any exhibits or installations that you’re looking forward to seeing? Let me know in the comments.

**Borrowed from one of my favorite excerpts from Sula by Toni Morrison:
“In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.”

Inspiration

The New York Times clipping that has inspired me for years

The New York Times clipping that has inspired me for years

I have a newspaper clipping pasted in the front of an old notebook. It’s a picture of Ella Fitzgerald performing while Duke Ellington, with the biggest grin on his face, watches her from the audience as she sings. Every time I look at it, I think about how two incredible artists inspired and supported each other. I’ve held on to that image for years as my inspiration to create opportunities for artists to build supportive community. It means even more to me now as New York, specifically my beloved Brooklyn, changes in ways that make it difficult for artist communities to thrive.

Summer 2019 Creative Meet Up crew!

Summer 2019 Creative Meet Up crew!

I started hosting creative meet ups and plan to have one each season. The first meet up this summer opened us up to the various connections and conversations that creatives and makers want and need at this time. Our discussions ranged from what does support & community look like to the age old cliché of the starving artist. The fall meet up will be held on Tuesday, October 15 from 6pm-8pm at the Brooklyn Community Foundation and it promises to be even more enjoyable and insightful than the last one. I’m so excited to build and learn from everyone who attends. What are some things that you would like to discuss or have happen at these meet ups? Leave a comment.

Fall Creative Meet Up! I would love to see you there.

Fall Creative Meet Up! I would love to see you there.

Wake Up In Glory / I Am You: Part I

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Works by Elizabeth Catlett

Works by Elizabeth Catlett

Self-Portrait by Gordon Parks

Self-Portrait by Gordon Parks

I had a chance to see Elizabeth Catlett's Wake Up In Glory and Gordon Parks' I Am You: Part I  in The Burning in Water and Jack Shainman Gallery respectively. Many years ago, I was supposed to see a Ms. Catlett speak but the talk was canceled. It was exciting to see her work all these years later and it feeling so strong and still so relevant. Powerful sculptures of women with subtleties that also express softness. I followed that exhibit with Gordon Parks' work which anyone who knows his work knows it is bold, raw, empowering and often sobering because he captured life in it's most honest form. His early works were mixed with his painterly fashion photography that he did for Vogue. I had an art school professor who adored both of their works. This visit was like a refresher course. There are so many incredible creative people and ventures that I look forward to blogging about but visiting these classics invigorated me.  

Bajan Rose: Barbadian Artist Sheena Rose

The more I venture back into the art and design world, the more enthusiastic I become with what I'm learning. I was so pleased to read about Barbadian artist Sheena Rose in the New York Times. A Fulbright Scholar, she studied and received her Masters degree in the United States and creates in her studio in Barbados. Her range of media and styles from performance art, painting and line drawings combined with her use of very personal subject matters gives her art so much range and energy. Ms. Rose's series, The Invisibles, is currently my favorite because of the delicacy of brushstroke, color, feeling of movement and deep emotion. As a Barbadian-American creative, I'm very proud to see her body of work honestly reflect the cross sections of her life in Barbados, womanhood, culture and more. I have so much respect for her boldness and her decision to challenge creative expectations like creating "tourist-friendly" art or her choice to keep her studio in Barbados for now. I'm excited about Sheena Rose and I am looking forward to seeing her current and future works in person.

Photo by Rose Marie Cromwell for The New York Times

Photo by Rose Marie Cromwell for The New York Times

Reflection: Kerry James Marshall's Mastry

Months after the dynamic exhibit at the Met Breuer, I'm still reflecting on Kerry James Marshall's exhibit, Mastry

I was most struck by Who is An Artist? What Does An Artist Look Like? Although art in all form has artists from diverse backgrounds, there are still limited perceptions of who can be an artist. But why? It's partially due to access to arts and …

I was most struck by Who is An Artist? What Does An Artist Look Like? Although art in all form has artists from diverse backgrounds, there are still limited perceptions of who can be an artist. But why? It's partially due to access to arts and it's also due to representation. The breathtaking portraits in this section of the exhibit show artists of color - men and women - painting their self-portraits; telling their own story as an artist. One of the truest things about art is that it can reflect our world that only few people may know about and we can create the worlds that we wish to see.

Currently Reading... (Following the Sphinx)

New York Magazine's Art & Design issue is out featuring the Kara Walker. The article addresses what I assume is what many creatives who accomplish a hugely successful work might struggle with - What's next? For Ms. Walker, it's her latest projec…

New York Magazine's Art & Design issue is out featuring the Kara Walker. The article addresses what I assume is what many creatives who accomplish a hugely successful work might struggle with - What's next? For Ms. Walker, it's her latest project following the extremely inspired and thought-provoking A Subtlety (or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant). 

SIDE NOTE: The creative geek in me truly appreciates her titles and see them more as short poems whose length often compliments the scale and complexity of her work.

Descriptions of her studio, her love of Andy Warhol & Charles Schultz's work and surprisingly strong criticism from fellow artists about her choice of subject matter makes me more appreciative of her boldness and gave me a different perspective on her work that I've experienced first-hand at the Whitney, Brooklyn Museum & the former Domino Sugar Factory.

I've been feeling creatively re-energized and curious compiling articles, books, exhibits and talks to take in and learn from. Ms. Walker's story has encouraged me to take a step towards my sphinx and beyond.